VA ABC of the Blues The Ultimate Collection from the Delta to the Big Cities (discs 7-13)[rogercc]

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VA  ABC of the Blues: The Ultimate Collection from the Delta to the Big Cities
(Discs 7-13 of 52 CD Box Set)
Label: Membran.
Format : Flac



This 52-disc (no, that is not a typo) comp, ABC of the Blues: The Ultimate Collection from the Delta to the Big Cities, may just indeed live up to its name. There are 98 artists represented , performing 1,040 tracks. The music begins at the beginning (though the set is not sequenced chronologically) with Charlie Patton, Son House, and Robert Johnson, and moves all the way through the vintage Chicago years of Muddy Waters and Howlin' Wolf, with stops along the way in Texas, Louisiana, Florida, Georgia, Mississippi, Tennessee, New York, and all points in between. Certainly, some of these artists are considered more rhythm & blues than purely blues artists: the inclusion of music by Johnny Otis, Wynonie Harris, Bo Diddley, and others makes that clear. That said, along with all the well-known acts are some startling -- and wonderfully considered -- selections by Magic Sam, Barbeque Bob, Professor Longhair, Jimmy Witherspoon, and many others.

Disc 7




Leroy Carr  See Disc 5 For Scrapper Blackwell.


Leroy Carr (March 27, 1905 – April 29, 1935) was an American blues singer, songwriter and pianist, who developed a laid-back, crooning technique and whose popularity and style influenced such artists as Nat King Cole and Ray Charles. He first became famous for "How Long, How Long Blues" on Vocalion Records in 1928.
Carr was born in Nashville, Tennessee. Although his recording career was cut short by an early death, Carr left behind a large body of work.He had a long-time partnership with guitarist Scrapper Blackwell. His light bluesy piano combined with Blackwell's melodic jazz guitar to attract a sophisticated black audience. Carr's vocal style moved blues singing toward an urban sophistication, influencing such singers as T-Bone Walker, Charles Brown, Amos Milburn, Jimmy Witherspoon, Ray Charles among others.
Count Basie and Jimmy Rushing used some of Carr's songs and Basie's band shows the influence of Carr's piano style.His music has been covered by notable artists such as Robert Johnson, Ray Charles, Big Bill Broonzy, Moon Mullican, Champion Jack Dupree, Lonnie Donegan and Memphis Slim.

01 Leroy Carr & Scrapper Blackwell - Wrong Man Blues
02 Leroy Carr & Scrapper Blackwell - Gettin' All Wet
03 Leroy Carr & Scrapper Blackwell - Blue with the Blues
04 Leroy Carr & Scrapper Blackwell - Christmas in Jail, Ain't That a Pain
05 Leroy Carr & Scrapper Blackwell - That's Tellin'em
06 Leroy Carr & Scrapper Blackwell - Papa Wants a Cookie
07 Leroy Carr & Scrapper Blackwell - The Dirty Dozen
08 Leroy Carr & Scrapper Blackwell - Carried Water for the Elephant
09 Leroy Carr & Scrapper Blackwell - Let's Disagree
10 Leroy Carr & Scrapper Blackwell - Papa's Got Your Water On


Pee Wee Crayton

Connie Curtis Crayton (December 18, 1914 – June 25, 1985), known as Pee Wee Crayton, was an American R&B and blues guitarist and singer.Born in Rockdale, Texas, United States, there are several stories on how Crayton acquired the name Pee Wee. In a Living Blues article in the 1980s, he stated that friend and singer, Roy Brown, gave him the nickname. This makes sense since Brown had a way of making nicknames for many of his friends. It has also been said that his father gave him the nickname as a tribute to a local Texas piano player.
Crayton began playing guitar seriously after moving to California in 1935, and settling in San Francisco. While there he absorbed the music of T-Bone Walker, but developed his own unique approach. His aggressive playing contrasted with his smooth vocal style, and was copied by many later blues guitarists.In 1948 he signed a recording contract with Modern Records.[3] One of his first recordings was the instrumental, "Blues After Hours", which reached #1 in the Billboard R&B chart late that year. Its B-side, the pop ballad "I'm Still in Love With You", and the quicker "Texas Hop", were good examples of his work, but his style was of its time and Crayton found it difficult to progress.
He went on to record for many other record labels in the 1950s including Imperial in New Orleans, Louisiana, Jamie in Philadelphia and Vee-Jay in Chicago. It is thought he was the first blues guitarist to use a Fender Stratocaster, given to him by Leo Fender. Crayton largely faded from view until Vanguard unleashed his LP, Things I Used to Do, in 1971. After that his profile was raised somewhat; he toured and made a few more albums prior to his death.

11 Pee Wee Crayton - Win-O
12 Pee Wee Crayton - I Got News for You
13 Pee Wee Crayton - Blues Before Dawn
14 Pee Wee Crayton - Don't Break My Heart
15 Pee Wee Crayton - The Telephone Is Ringing
16 Pee Wee Crayton - California Women
17 Pee Wee Crayton - Blues for My Baby
07-18 Pee Wee Crayton - Dedicated to the Blues
19 Pee Wee Crayton - Phone Call from My Baby
20 Pee Wee Crayton - Blues After Hours

Disc 8




Bo Diddley

Ellas Otha Bates (December 30, 1928 – June 2, 2008 ), known by his stage name Bo Diddley, was an American rhythm and blues vocalist, guitarist, songwriter (usually as Ellas McDaniel), and rock and roll pioneer. He was also known as "The Originator" because of his key role in the transition from the blues to rock & roll, influencing a host of acts, including Buddy Holly, Jimi Hendrix, The Rolling Stones, The Velvet Underground, The Who, The Yardbirds, Eric Clapton, The Beatles, and George Michael, among others. He introduced more insistent, driving rhythms and a hard-edged electric guitar sound on a wide-ranging catalog of songs, along with African rhythms and a signature beat (a simple, five-accent rhythm) that remains a cornerstone of rock and pop. Accordingly, he was inducted into the Rock and Roll Hall of Fame and received Lifetime Achievement Awards from the Rhythm and Blues Foundation and a Grammy Award from the National Academy of Recording Arts and Sciences. He was known in particular for his technical innovations, including his trademark rectangular guitar.

01 Bo Diddley - I'm a Man
02 Bo Diddley - Bo Diddley
03 Bo Diddley - Pretty Thing
04 Bo Diddley - Bring It to Jerome
05 Bo Diddley - Diddy Wah Diddy
06 Bo Diddley - I'm Looking for a Woman
07 Bo Diddley - Who Do You Love?
08 Bo Diddley - You Don't Love Me
09 Bo Diddley - Hey Bo Diddley
10 Bo Diddley - Mona (I Need You Baby)
11 Bo Diddley - Say Boss Man
12 Bo Diddley - Before You Accuse Me
13 Bo Diddley - Say Man
14 Bo Diddley - The Clock Strikes Twelve
15 Bo Diddley - Crackin' Up
08-16 Bo Diddley - Don't Let It Go (Hold On to What You Got)
17 Bo Diddley - Mumblin' Guitar
18 Bo Diddley - She's Alright
19 Bo Diddley - Road Runner
20 Bo Diddley - The Story of Bo Diddley

Disc 9




Willie Dixon

William James "Willie" Dixon (July 1, 1915 – January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. A Grammy Award winner who was proficient on both the upright bass and the guitar and as a vocalist, Dixon is perhaps best known as one of the most prolific songwriters of his time. He is recognized as one of the founders of the Chicago blues sound. Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of the man's most famous compositions includes "Little Red Rooster", "Hoochie Coochie Man", "Evil", "Spoonful", "Back Door Man", "I Just Want to Make Love to You", "I Ain't Superstitious", "My Babe", "Wang Dang Doodle", and "Bring It On Home". These tunes were written during the peak of Chess Records, 1950–1965, and performed by Muddy Waters, Howlin' Wolf, and Little Walter, influencing a worldwide generation of musicians.
Next to Muddy Waters, he was the most influential person in shaping the post World War II sound of the Chicago blues. He also was an important link between the blues and rock and roll, working with Chuck Berry and Bo Diddley in the late 1950s. His songs were covered by some of the biggest artists of more recent times, including Styx, Bob Dylan, Cream, Jimi Hendrix, Led Zeppelin, Foghat, The Yardbirds, The Rolling Stones, Queen, Megadeth, The Doors, The Allman Brothers Band, Grateful Dead.

01 Willie Dixon - Don't Let That Music Die
02 Willie Dixon - I Ain't Gonna Be Your Monkey Man
03 Willie Dixon - Money Tree Blues
04 Willie Dixon - Since My Baby Gone
05 Willie Dixon - No One to Love Me
06 Willie Dixon - Hard Notch Boogie Beat
07 Willie Dixon - If the Sea Was Whiskey
08 Willie Dixon - Got You on My Mind
09 Willie Dixon - Tell That Woman
10 Willie Dixon - Come Here Baby


Floyd Dixon

Floyd Dixon was born Jay Riggins Jr. in Marshall, Texas, United States.[1] He was influenced by blues, gospel, jazz and country music growing up. His family moved to Los Angeles, California in 1942 and Dixon met his influence Charles Brown there.
Self-dubbed "Mr. Magnificent," Dixon signed a recording contract with Modern Records in 1949, specializing in jump blues and sexualized songs like "Red Cherries", "Wine Wine Wine", "Too Much Jelly Roll" and "Baby Let's Go Down to The Woods". When Brown left Johnny Moore's Three Blazers in 1950 to go solo, Dixon replaced him as pianist and singer and recorded with the band for Aladdin Records.[2] Staying with the record label, Dixon had a small hit under his own name in 1952 with "Call Operator 210".
Dixon switched to the Specialty Records label in 1952, and the Atlantic Records subsidiary Cat Records in 1954. "Hey Bartender" (later covered by The Blues Brothers) and "Hole In The Wall" were hit singles during this time.
In the 1970s Dixon left the music industry for a quieter life in Texas, though he did occasional tours in the 1970s and 1980s. In 1984 he was commissioned to write "Olympic Blues" for the 1984 Summer Olympics.
In 1993, Dixon received a Pioneer Award from the Rhythm and Blues Foundation.[1] In the mid 1990s, he secured a contract with Alligator Records, releasing the critically acclaimed album, Wake Up And Live.
Dixon died in Orange County, California in July 2006, at the age of 77,

11 Floyd Dixon - Dallas Blues
12 Floyd Dixon - Moonshine
13 Floyd Dixon - Real Lovin' Mama
14 Floyd Dixon - Prairie Dog Blues
15 Floyd Dixon - Shuffle Blues
16 Floyd Dixon - Blues for Cuba
17 Floyd Dixon - Telephone Blues
18 Floyd Dixon - Lovin'
19 Floyd Dixon - Let's Dance
20 Floyd Dixon - Opportunity Blues

Disc 10




Snooks Eaglin

Snooks Eaglin, born Fird Eaglin, Jr. (January 21, 1936 – February 18, 2009), was a New Orleans-based guitarist and singer. He was also referred to as Blind Snooks Eaglin in his early years.
His vocal style is reminiscent of Ray Charles; indeed, in the 1950s, when he was in his late teens, he would sometimes bill himself as "Little Ray Charles". Generally regarded as a legend of New Orleans music, he played a wide range of music within the same concert, album, or even song: blues, rock and roll, jazz, country, and Latin.[6] In his early years, he also played some straight-ahead acoustic blues.His ability to play a wide range of songs and make them his own earned him the nickname "the human jukebox." Eaglin claimed in interviews that his musical repertoire included some 2,500 songs.
At live shows, he did not usually prepare set lists, and was unpredictable, even to his bandmates. He played songs that came to his head, and he also took requests from the audience. He was universally loved and respected by fellow musicians and fans alike.

01 Snooks Eaglin - Careless Love
02 Snooks Eaglin - Let Me Go Home, Whisky
03 Snooks Eaglin - Trouble in Mind
04 Snooks Eaglin - St. James Infirmary
05 Snooks Eaglin - Rock Island Line
06 Snooks Eaglin - Sophisticated Blues
07 Snooks Eaglin - I'm Looking for a Woman
08 Snooks Eaglin - Look Down That Lonesome Road
09 Snooks Eaglin - I Got a Questionnaire
10 Snooks Eaglin - One Scotch, One Bourbon, One Beer


Sleepy John Estes

John Adam Estes (January 25, 1899 – June 5, 1977), best known as Sleepy John Estes or Sleepy John, was a American blues guitarist, songwriter and vocalist, born in Ripley, Lauderdale County, Tennessee.
In 1915, Estes' father, a sharecropper who also played some guitar, moved the family to Brownsville, Tennessee. Not long after, Estes lost the sight of his right eye when a friend threw a rock at him during a baseball game. At the age of 19, while working as a field hand, he began to perform professionally. The venues were mostly local parties and picnics, with the accompaniment of Hammie Nixon, a harmonica player, and James "Yank" Rachell, a guitarist and mandolin player. He would continue to work on and off with both musicians for more than fifty years.
Estes made his debut as a recording artist in Memphis, Tennessee in 1929, at a session organized by Ralph Peer for Victor Records. His partnership with Nixon was first documented on songs such as "Drop Down Mama" and "Someday Baby Blues" in 1935; later sides replaced the harmonica player with the guitarists Son Bonds or Charlie Pickett. He later recorded for the Decca and Bluebird labels, with his last pre-war recording session taking place in 1941. He made a brief return to recording at Sun Studio in Memphis in 1952, recording "Runnin' Around" and "Rats in My Kitchen", but otherwise was largely out of the public eye for two decades.
Estes was a fine singer, with a distinctive "crying" vocal style. He frequently teamed with more capable musicians, like "Yank" Rachell, Hammie Nixon, and the piano player Jab Jones. Estes sounded so much like an old man, even on his early records, that blues revivalists reportedly delayed looking for him because they assumed he would have to be long dead, and because fellow musician Big Bill Broonzy had written that Estes had died. By the time he was tracked down, by Bob Koester and Samuel Charters in 1962, he had become completely blind and was living in poverty. He resumed touring and recording, reunited with Nixon and toured Europe several times and Japan, with a clutch of albums released on the Delmark Records label. His later records are generally considered less interesting than his pre-war output. Nevertheless, Estes, Nixon and Rachell also made a successful appearance at the 1964 Newport Folk Festival.
Bob Dylan mentions Estes in the sleevenotes to Bringing It All Back Home (1965).
Many of Estes' original songs were based on events in his own life or on people he knew from his home town of Brownsville, Tennessee, such as the local lawyer ("Lawyer Clark Blues", local auto mechanic ("Vassie Williams' Blues", or an amorously inclined teenage girl ("Little Laura Blues". "Lawyer Clark Blues" referenced the lawyer, and later judge and senator, Hugh L. Clarke. Clarke and his family lived in Brownsville, and according to the song let Estes 'off the hook' for an offense.
He also dispensed advice on agricultural matters ("Working Man Blues" and chronicled his own attempt to reach a recording studio for a session by hopping a freight train ("Special Agent (Railroad Police Blues)". His lyrics combined keen observation with an ability to turn an effective phrase.

11 Sleepy John Estes - Jack and Jill Blues
12 Sleepy John Estes - Poor Man's Friend
13 Sleepy John Estes - Hobo Jungle Blues
14 Sleepy John Estes - Airplane Blues
15 Sleepy John Estes - Floating Bridge
16 Sleepy John Estes - Need More Blues
17 Sleepy John Estes - Fire Department Blues
18 Sleepy John Estes - New Someday Baby
19 Sleepy John Estes - Liquor Store Blues
20 Sleepy John Estes - Brownsville Blues

Disc 11




Lowell Fulson

Lowell Fulson (March 31, 1921 – March 7, 1999)[1] was a big-voiced blues guitarist and songwriter, in the West Coast blues tradition. Fulson was born in Tulsa, Oklahoma. He also recorded for business reasons as Lowell Fullsom and Lowell Fulsom. After T-Bone Walker, Fulson was the most important figure in West Coast blues in the 1940s and 1950s.
According to some sources, Fulson was born on a Choctaw reservation in Oklahoma. Fulson stated that he was of Cherokee ancestry through his father, but he also claimed Choctaw ancestry. At the age of eighteen, he moved to Ada, Oklahoma, and joined Alger "Texas" Alexander for a few months in 1940,[1] but later moved to California, forming a band which soon included a young Ray Charles and tenor saxophone player, Stanley Turrentine. He recorded for Swing Time Records in the 1940s, Chess Records (on the Checker label) in the 1950s, Kent Records in the 1960s, and Rounder Records (Bullseye) in the 1970s.
Fulson was drafted in 1943, but left the United States Navy in 1945.[1] His most memorable and influential recordings included: "Three O'Clock Blues" (now a blues standard); the Memphis Slim-penned "Everyday I Have the Blues"; "Lonesome Christmas"; "Reconsider Baby" recorded in 1960 by Elvis Presley and in 1994 by Eric Clapton for his From the Cradle album as well as by Joe Bonamassa); and "Tramp" (co-written with Jimmy McCracklin and later covered by Otis Redding with Carla Thomas, ZZ Top (on 2003's Mescalero), Alex Chilton, and Tav Falco.
"Reconsider Baby" came from a long term contract agreed with Chess Records in 1954. It was recorded in Dallas under Stan Lewis' supervision with a saxophone section that included David "Fathead" Newman on tenor and Leroy Cooper on baritone.

01 Lowell Fulson - I Wanna Make Love to You
02 Lowell Fulson - Rock'em Dead
03 Lowell Fulson - You Better Rock This Morning
04 Lowell Fulson - Rollin' Blues
05 Lowell Fulson - Someday Baby
06 Lowell Fulson - It Took a Long Time
07 Lowell Fulson - That's Alright
08 Lowell Fulson - It's a Long Time
09 Lowell Fulson - Loving You
10 Lowell Fulson - Lonely Hours


The Four Blazes

The Four Blazes were an American R&B vocal and instrumental group formed in Chicago and popular in the 1940s and 1950s. They were also occasionally billed as The Five Blazes and (probably just on record labels) as the "Blasers" or the "Flames."
The group was formed in 1940 by drummer Paul Lindsley "Jelly" Holt, an experienced Chicago musician who had previously been a member of the Five Rhythm Rocketeers. The Rocketeers had a residency at the Grand Terrace Ballroom, and linked up with Earl Hines for a European tour in 1939. When they returned, the Rocketeers broke up and Holt formed a new band, The Four Blazes. The other original members were Jimmy Bennett and William "Shorty" Hill on guitars and mandolin, and Prentice Butler on bass.
Bennett was later replaced by lead guitarist Floyd McDaniel (1915-1995), and the group also added pianist Ernie Harper (1920-1984) - brother of pianist Walt Harper from Pittsburgh. As The Five Blazes, they signed with Aristocrat Records in 1947, becoming only the second act to record for the predecessor to Chess Records. Confusingly, one of their numbers was "Chicago Boogie," and an entirely different group from Los Angeles called The Four Blazes recorded a song called "Chicago Blues" around the same time.
The Chicago group became The Four Blazes again after Ernie Harper left in 1948 for a solo career. In 1951, Butler died and was replaced by lead vocalist and bass player Tommy Braden. The group recorded a series of singles for United Records from 1952 onwards, several of them featuring saxophonist Eddie Chamblee. Their first release, "Mary Jo", hit # 1 on the R&B charts in August 1952, and the follow-ups "Please Send Her Back To Me" and "Perfect Woman" also made the R&B top ten.

11 The Four Blazes - Stop Boogie Woogie
12 The Four Blazes - Snag the Britches
13 The Four Blazes - Raggedy Ride
14 The Four Blazes - Perfect Woman
15 The Four Blazes - Night Train
16 The Four Blazes - Never Start Living
17 The Four Blazes - Women, Women
18 The Four Blazes - Drunken Blues
19 The Four Blazes - My Hat's on the Side of My Head
20 The Four Blazes - Mary Jo

Disc 12




Buddy Guy

George "Buddy" Guy (born July 30, 1936) is an American blues guitarist and singer. Critically acclaimed, he is a pioneer of the Chicago blues sound and has served as an influence to some of the most notable musicians of his generation, including Eric Clapton, Jimi Hendrix and Stevie Ray Vaughan. In the 1960s Guy was a member of Muddy Waters' band and as a house guitarist at Chess Records. He can be heard on Howlin' Wolf's 'Killing Floor' and Koko Taylor's 'Wang Dang Doodle' as well as on his own Chess sides and the fine series of records he made with harmonica player Junior Wells.
Ranked thirtieth in Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time", Guy is known for his showmanship on stage: playing his guitar with drumsticks or strolling into the audience while playing solos. His song "Stone Crazy" was ranked seventy-eighth in list of the 100 Greatest Guitar Songs of All Time also of Rolling Stone.

01 Buddy Guy - Try to Quit You, Baby
02 Buddy Guy - You Sure Can't Do
03 Buddy Guy - This Is the End
04 Buddy Guy - Sit and Cry (The Blues)


Arthur Gunter

Arthur Gunter (May 23, 1926 – March 16, 1976) was an American blues guitarist and musician. He was best known for his song "Baby Let's Play House", which was later a hit single for Elvis Presley.
Gunter was born in Nashville, Tennessee, a musician from an early age; as a child, he was in a gospel group with his brothers and cousins called the Gunter Brothers Quartet. In the early 1950s he played in various blues groups around Nashville, and began recording for Excello Records in 1954.
In November 1954, Gunter recorded "Baby Let's Play House" for Excello (2047),[2] which became a local hit. It became nationally known later that year when Elvis Presley recorded a version for Sun Records. "Elvis got that number and made it famous. But I didn't get a chance to shake his hand," Gunter would later say. His first royalty check, received that same year, was for $6500.
Gunter continued to record for Excello until 1961. His regular band broke up in 1966 and he moved to Pontiac, Michigan, performing only occasionally thereafter.

05 Arthur Gunter - Baby Let's Play House
06 Arthur Gunter - No Naggin', No Draggin'
07 Arthur Gunter - Honey Babe
08 Arthur Gunter - Little Blues Jeans Woman
09 Arthur Gunter - Baby You Better Listen
10 Arthur Gunter - I Want Her Back
11 Arthur Gunter - Crazy Me
12 Arthur Gunter - Ludella
13 Arthur Gunter - Blues After Hours


Slim Gaillard

Bulee "Slim" Gaillard (January 4, 1916 – February 26, 1991) was an American jazz singer, songwriter, pianist, and guitarist, noted for his vocalese singing and word play in a language he called "Vout". (In addition to speaking 8 other languages, Gaillard wrote a dictionary for his own constructed language.)
Along with Gaillard's date of birth, his family lineage and place of birth are disputed. One account is that he was born in Santa Clara, Cuba of a Greek father and an Afro-Cuban mother; another is that he was born in Pensacola, Florida to a German father and an African-American mother. Adding to the confusion, the 1920 U.S. Census lists a 19-month-old boy named "Beuler Gillard" in Pensacola, but born in Alabama.[4] He grew up in Detroit and moved to New York City in the 1930s.
According to the obituaries in leading newspapers, Gaillard's childhood in Cuba was spent cutting sugar-cane and picking bananas, as well as occasionally going to sea with his father. However, at the age of 12, he accompanied his father on a world voyage and was accidentally left behind on the island of Crete. After working on the island for a while, he made his home in Detroit. In America, Gaillard worked in an abattoir, trained as a mortician and also had been employed at Ford's Motor Works

14 Slim Gaillard - Walkin' & Cookin' Blues
15 Slim Gaillard - Blue Heaven
16 Slim Gaillard - Thunderbird
17 Slim Gaillard - Chicken Rhythm
18 Slim Gaillard - I Love You
19 Slim Gaillard - I Don't Stand a Ghost of a Chance with You
20 Slim Gaillard - Don't Blame Me

Disc 13




John Lee Hooker

John Lee Hooker (August 22, 1917 – June 21, 2001 ) was a highly influential American blues singer-songwriter and guitarist.Hooker began his life as the son of a sharecropper, William Hooker, and rose to prominence performing his own unique style of what was originally a unique brand of country blues. He developed a 'talking blues' style that was his trademark. Though similar to the early Delta blues, his music was metrically free. John Lee Hooker could be said to embody his own unique genre of the blues, often incorporating the boogie-woogie piano style and a driving rhythm into his blues guitar playing and singing. His best known songs include "Boogie Chillen'" (1948 ), "I'm in the Mood" (1951) and "Boom Boom" (1962), the first two reaching R&B #1 in the Billboard charts.

01 John Lee Hooker - Dimples
02 John Lee Hooker - I'm in the Mood
03 John Lee Hooker - Boogie Chillen'
04 John Lee Hooker - Let Your Daddy Ride
05 John Lee Hooker - John L's House Rent Boogie
06 John Lee Hooker - Weeping Willow Boogie
07 John Lee Hooker - Huckle Up Baby
08 John Lee Hooker - Hobo Blues
09 John Lee Hooker - Crawlin' King Snake
10 John Lee Hooker - Sally Mae


Wynonie Harris

Wynonie Harris (August 24, 1915[2] – June 14, 1969), born in Omaha, Nebraska, was an American blues shouter and rhythm and blues singer of upbeat songs, featuring humorous, often ribald lyrics. With fifteen Top 10 hits between 1946 and 1952, Harris is generally considered one of rock and roll's forerunners, influencing Elvis Presley among others. He was the subject of a 1994 biography by Tony Collins.

11 Wynonie Harris - Around the Clock Pt. 1 & 2
12 Wynonie Harris - Yonder Goes My Baby
13 Wynonie Harris - Don't Take My Whiskey Away from Me
14 Wynonie Harris - Cock-A-Doodle-Doo
15 Wynonie Harris - Time to Change Your Town
16 Wynonie Harris - You Got to Get Yourself a Job, Girl
17 Wynonie Harris - Oh Babe!
18 Wynonie Harris - Luscious Woman
19 Wynonie Harris - Stormy Night Blues
20 Wynonie Harris - Git to Gittin' Baby